In Coralie Fargeat's brand-new feminist terror flick The Substance, damaging social beauty specifications are the actual monsters. They (female objectification, the fingertip of "the aged," the expansion of a business built on body system alteration) nourish a beast of a cycle that leads Demi Moore's fading TV individual character https://thewitchesmountainnow.digitollblog.com/29798753/the-substance
Margaret Qualley The Substance (2024)
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